The Kids Are All Right.
Lesbians raising kids, kids are well.
Here's a review for towleroad.com:
But the joy of watching The Kids Are All Right is to see both comedy and drama spring from inside of each of the five distinct flawed characters (we all have our issues) until it ricochets off of all of the others. Things get complicated and messy very quickly. Everyone gets hurt. Despite the escalating drama, the film's great charm lies in how breezy and laid-back it feels even when it's approaching all of this tension. If this movie were a person, it'd be someone you'd want as a friend, someone who can find the funny in dark moments and who'd have your back even when they're pissed at you. As sentimental as that sounds, the film earns the good vibes. Writer/director Lisa Cholodenko (who previously gave us High Art and Laurel Canyon) makes sure you love each and every character. Even Paul, who a lesser film would vilify for rocking the boat so carelessly, inspires affection and sympathy.
It's not much of a spoiler to tell you that the film ends with Joni leaving for college (since her imminent departure is what prompts Laser's plot-kickoff request). Wasikowska's final closeup is one of the most beautiful things you'll see in a movie this year. No matter how long it's been since you first left home, that flood of confusing exciting contradictory emotions will come rushing back to you, it's so accessibly written on her face. All credit to Lisa Cholodenko for making a film that is both recognizably gay and universal in its understanding of family. After all, gay or straight, every marriage has rocky patches, every family loves and aggravates each other and every new relationship can cause ripples in older ones. Eventually we all have to leave home... whether we have one mommy or two.
Our families are alike, gay and straight.
It is past time for us to approve of our families, according to a straight world view.
"Every marriage has rocky patches, every family loves and aggravates each other..."